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I feel that I did some good for America.. Among the vintage giants of jazz, Jack port Teagarden had not been only the very best pre-bop trombonist (taking part in his instrument using the simple a trumpeter) but one of the better jazz performers too. Like many jazzmen of the last era, his ups and downs were of the extreme kind, and success, both financial and popular, was all too often the unwilling bedfellow of failure. This is a Teagarden album like nothing else in his 40-year discography. This may be overstatement, but it does underscore a fact that all sources seem to agree on; like his trombone style, his singing style seems to have been both uniquely his own and authentic bluesy jazz. My Jack Teagarden Research at the IJS. Jack Teagarden played trombone with a relaxed style and a unique His father, an amateur comet player, worked in the oilfields, and his mother was a local piano instructor and church organist. Armstrong's "All-Stars", and Louis Armstrong considered him to be his Although has received no medals in this country yet; he has achieved a place of distinction in jazz shared by very few other musicians. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. He was an inventor, redesigning mouthpieces, mutes, and water valves and inventing a new musical slide rule. Also Teagarden tuned the two available pianos in the remote city of Kabul, Afghanistan, where most of the populace had never seen brass musical instruments before. Atwell was only a child then, traveling with the band when she could. The world of jazz, like any part of show business, suffers as much from public fickleness as does, say, the bumbling lyrics of a Presley or Fabian (although one approaches art, the other embraces the soul of rockn roll). Louis Armstrong, himself in poor health, was so grief-stricken at Teagardens death, Atwell says, that his doctors forced him to bed and wouldnt allow him to attend the funeral. Instead, he used his lips, like a trumpet player, to form many notes. He played it solo, and Im telling you he knocked us out. Lots of clips of Jack, including home movies, as well as interviews with musicians who worked with him, . Drummer Cotton Bailey gave him the nickname Jack when he was 15 or 16 because Bailey didnt think Weldon was suitable to a musician, and it stuck. But they could not keep him from sitting on a fence near his home and listening to theNegroes singing in a church next door. But Whitemans group kept him a little too busy doing highly- arranged popular music, and he left when his contract was up. As I said, the big depression was on, and I had just wangled a cozy WPA job for the best cymbalom player I ever heard. It is also unlike the original since it is complete in itself and not an uncompleted half of something. The All Stars toured Europe and Asia in 1957-59 as part of a government-sponsored goodwill tour. From 1939 until 1947 he toured with his own big band, which, though financially unsuccessful, produced both good music and good musicians (including Charlie Spivack and Ernie Caceres). Jack took one look and busted out the back door. and inventing a new musical slide rule. So the traditional trombone stylists specialized in playing simpler accompaniment parts featuring cute special effects like glissandos. Some critics considered him the best man ever on his instrument and one of the handful of jazz musicians, along with such men as Louis Armstrong and Duke Ellington, who deserved to be called geniuses. This is a jazz music websitespammers will be deleted. Charlie is still active with a band in Las Vegas. He had 14 side men in his band and the band fronted a stage show you could get in to see for 85 cents if you had 85 cents, which not many people did. Both have since died. Jack Teagardens most important recordings include the recording with Benny Goodman of Basin Street Blues, with Teagarden on both trombone and vocals, which included extra lyrics written by himself and Glenn Miller that later became a standard (and usually unattributed) part of the song lyrics. Cut off from the developing edge of jazz, it had no real influence and produced few recordings of note. Pee Wee introduced us. Needless to add, the time Jack and his friends spent together was quite often on stand. As one columnist put it, his visit was worth ten diplomats. From a down-on-his-luck jazzman to senior statesman and musician extraordinary, Teagarden has come up the hard way to stand as one of the truly permanent figures in American jazz. While the legal issues are being sorted, the documentary, calledTime for T, has been shown only at jazz festivals and has not been released to the public. Her latest rescue efforts are Troy, a Rottweiler, and Laroux, a red Dobie. Four trombones wailed their lament at the funeral. The Teagarden brothers (Jack and trumpeter Charlie) are generally considered the only interesting jazzmen to have been part of it, and yet Jack also felt a little out of the limelight. Teagarden had a mechanical bent and a life-long interest in tinkering with things, and he invented the water glass mute effect, in which the bell section of the trombone is removed and an empty water glass placed over the end of the instrument tubing (of the mouthpiece section). 1936. Jacks fluency on the trombone has continued to amaze everyone. Jack Teagarden. From 8:00 PM to 8:00 PM EDT. He was a nervous guy, never quite comfortable sitting down or standing still. [4], Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. We said we would like to hear the guy, and Pee Wee said, right, lets just pop over and get him. Some sources claim his unusual style of trombone playing stemmed from the fact that he began playing before he was big enough to play in the farther positions. Both were deeply affected by a knowledge of and ease with the blues that was available to few white players of the time. I Gotta Right to Sing the Blues in particular became a signature piece for him. Made in 1962, precisely two years before his death, it reflects much that was important about the man and musician; the uncanny precision and languorous passion of his trombone playing, the intimacy . NEW ORLEANS, Jan. 15 (AP) Jack Teagarden, the jazz trombonist and singer, died today in a New Orleans motel. His movies included Birth of the Blues (1941). Well, I took her back to Jacks hotel and I have never, come to think of it, seen the lady since. By 14, Teagarden was playing professionally. He went, it appears, to superhuman lengths to live up to what he has stated to nearly interviewer: I try to play what people like. Generally, what people seem to like is Teagarden. Born on Aug. 29, 1905, Teagarden learned trombone by the age of 10. Our weekly newsletter highlights our top stories and includes a local jazz events calendar. Jack Teagarden. She became a fighter for integration in Broward in the 60s, and active in civic affairs. Four stylii were used to transfer this record. Was a member of "Louis Armstrong and his All-Stars.". For instance, Jack and crew jammed with the King of Cambodia who as clarinetist had jammed with his idol, Benny Goodman, when Benny had toured that area few years earlier. Jack Teagarden played trombone with a relaxed style and a unique technique that still inspires awe even today. Ben Pollack invited him to join his orchestra in 1928, and that year Teagarden recorded the first of what would be scores of records,Just Roll Along. His voice, with an engaging Southern drawl, ranged somewhere between the rasp of Louis Armstrong and the smooth sound of Bing Crosby, with whom he was professionally associated from time to time. Tonight she blew into town and she is gonna haunt me until I come up with a mink!, I said, Jack, nobody could catch up to us now. Teagarden later recorded with many of Americas jazz greats including Red Nichols, Benny Goodman, and Louis Armstrong. I wanted to know how all those people could come to see this wonderful talent and then not want to sit in the same room with them.. Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong. While shaking his head in amazement at the creative prowess of the trombonist, Williams also delineated some of the mans superb talent. Jack Teagarden Follow Artist + Jazz trombonist, vocalist, and bandleader who became a latter-day champion of the classic New Orleans style. Stars Fell on Alabama - Jack Teagarden's Chicagoans;Jack Teagarden;Billy May;Joe Sullivan;Heinie Beau;Dave Matthews;Dave Barbour;Art Shapiro;Zutty Single;Parish;Perkins Notes Technical Notes: Dupe of GBIA0069802N ,but previously transferred as wrong sides; Pops and clicks Jack said, Meet me after the last show in the cafe next door and we will go see the town. So I sat around until Jack and the boys earned their money and along about 11:15p.m. Upper register solos, the lack of a strict solo beat, and the use of lip trills were some of his characteristics. His creative instinct is unerring, rhythmically and harmonic- ally, and is creatively superb. His recordings of I Gotta Right to Sing the Blues, Texas Tea Party, A Hundred Years from Today(all 1933), Stars Fell on Alabama(1934), I Hope Gabriel Likes My Music (1936), and Nobody Knows the Trouble Ive Seen may be considered his best vocal offerings. While still in his childhood he moved to Oklahoma. 78_somebody-loves-me_eddie-condon-and-his-orchestra-jack-teagarden-bobby-hackett-billy_gbia0195458b Location USA Scanner Internet Archive Python library 1.9.0 Scanningcenter George Blood, L.P. They belong to him not because he had a hand in writing them (he didnt) but because he pops in mind as the singer whenever these tunes are brought to mind. While every effort has been made to follow citation style rules, there may be some discrepancies. An honest kind of artistry, Teagardens tromboning is generally credited with having advanced the instrument to the high level of technical achievement it enjoys among todays modern musicians, and, at the same time, has stated a case for the lyrical quality in jazz for the nearly forty years he has been playing professionally. My cymbalom player was truly a fine artist but he did not protest his ignoble reduction to book binding. His unusual approach to trombone playing had both a technical and a stylistic component. Trombone player Jack Teagarden, pictured in 1930, created a sensation in New York when he arrived from Texas. He led his own band (193947), played with Louis Armstrong (194751), and re-formed his band (195157). What he did that day with a trombone became part of the living legend of Teagarden, a feat that replaced the amused smiles with a deep respect that has been felt since by nearly every jazz buff who ever heard Teagarden jamming his special kind of music. Whats the big rush? He punched his solos with the brashness of a trumpet, a critic wrote some years ago, substituting for glides a series of triplets or runs designed to treat each note in the tonal scale as an entity. Mr. Teagarden was mystified by the scholarship and arcane terminology that critics brought to bear on his work.Polyphony, flatted fifths, half tones, he once said, they don't mean a thing. But my friends in the band didnt come over and say hello. Its theme was his old favorite, I Gotta Right to Sing the Blues.. The next year he went to New York on his own. In 1931, Teagardens early orchestra recorded the tune Chances Are with Fats Waller playing piano and Jack singing and playing trombone. Atwell has never forgiven the media for that. The song earned $22,000, Eddie swears, and Jack wouldnt take a dime. He was also a great jazz singer, charming and warm, with influences from the African American blues singers he listened to while growing up in Texas. Teagarden has appeared in movies, has sung on the air and on TV, and has recorded actually thousands of sides. Lets go, he urged. One of the surest signs of this newfound responsibility (or perhaps only a reinstated dignity) was Teagardens tour of the Orient, under the auspices of the U. S. State Department. The trip covered a grueling eighteen weeks and as many countries. He was considered by many to be the greatest jazz trombonist of his era, but his style was so unusual that others did not follow his example. I love that big lug and I just want him to save some of his money!. The reaction to his unique style of trombone- playing appears to have been both immediate and widespread. Looks like we don't have quotes information. Who Is Jack Teagarden's Wife? He died only a few months later of pneumonia, at the age of fifty eight, in New Orleans. Tall, gangling, his horn wrapped in newspaper, Teagarden asked for an audition. admin Among the many tunes which are his are Basin Street Blues (he and Glenn Miller combines on the lyrics of the now-famous blues, although neither is credited on the sheet music), Stars Fell on Alabama, Pennies From Heaven, Rockin Chair, and Ive Got a Right to Sing the Blues. It keeps me busy explaining why I cant.. In addition, he was an inventor, redesigning mouthpieces, mutes, and watervalves and inventing a new musical slide rule. It apparently also greatly appealed to other musicians as soon as they heard it, but it relied so heavily on using unusual slide positions and on his ability to bend notes with his unusually flexible embouchure, that his style is generally considered to be literally inimitable.. One moment, you will be redirected shortly. More recently, she founded the Progressive International Civic Association, which lowered the crime rate in her inner-city neighborhood by 40 percent in two years. He sang like he played, one observer said, in a smooth, sleepy Texas drawl. His is an open face, with character, rather than age or weariness or boredom etched into it. Jack Teagarden, byname of John Weldon Teagarden, (born August 20, 1905, Vernon, Texas, U.S.died January 15, 1964, New Orleans, Louisiana), American jazz trombonist, unique because he developed a widely imitated style that appeared to have arrived fully formed. The authors favorite Teagarden chorus (and everyone who professes a liking for jazz must have at least one favorite Teagarden chorus) is the one Jack plays on Jack Hits the Road, recorded for Columbia some twenty years ago, In it, Teagarden neatly demonstrates the things to come on his instrument. While his most innovative days were in the late '20s and '30s, he remained a viable and highly enjoyable jazzman (and a popular attraction on the Dixieland circuit) up until his death in 1964. And Mom had to explain to me that they werent allowed in the room because they were black. During the recent Playboy Jazz Festival in Chicago, Teagarden and his gang came into town a couple of days early to help out on promotion for the event (by appearing on TV shows, radio interviews, and even a race track where he blew the call to the post), and to spend some time with many of his old friends who were playing in Chicagos jazz spots, music his element. The listener knows she is in the presence of something rare and wondrous and magical two spirits soaring to the beat of one drummer, a drummer no one else can hear. He was also a great jazz And what do you know? Would sure like to hear you play.Solo StuffThe guy says, All right, gets his horn out, puts it together and blows couple of warm-up notes and starts to play Diane. January 30, 2023 He has played with Paul Whitemans big band, Benny Goodmans recording groups, Louis Armstrongs All Stars, Ben Pollocks band, countless groups and orchestras, many of them under his own leadership. In 1939 Teagarden formed his own band; it was musically innovative but not financially successful and was disbanded in 1947. Mr. Teagarden was generally regarded as one of the masters of the jazz trombone. The notes in any harmonic series are much closer together in the upper part of the series. Teagarden was also an excellent singer and developed a respected blues vocal style. I asked him a couple of years ago when he was playing in Chicago if he ever felt really peaceful. Looks like we don't have awards information. One source reports that Tommy Dorsey specialized in sweet ballads specifically because he felt his jazz was inferior next to Jack Teagarden and that Glenn Miller de-emphasized his own trombone playing after a stint playing beside Teagarden in Pollacks orchestra. Required fields are marked *. Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong. His formal train- ing has been acquired on the job. Jack Teagarden (born August 20, 1905, Vernon, Texas, USA - died January 15, 1964, New Orleans, Louisiana, USA) was an American jazz trombonist, bandleader, composer and vocalist. After working in the Southwest and in Mexico with pickup bands, he came to New York in 1927. but Norma, a pianist, and Cubby, a drummer, have retired. His father played trumpet, as did brother Charlie, while brother Clois played drums, and sister Norma played piano. All these guys include legendary musicians like Bigard, Earl Hines, Bing and Bob Crosby, the Dorsey brothers, and even Walt Disney, who shared Teagardens lifelong love of steam engines and model railroads. The tune is one that we all know well (which is a help, of course, and one that Teagarden assumes), and, for his part of the performance, Jack gets just the first half of the length of tune, right after Armstrongs vocal course. An insurance agent and former Doberman breeder for 30 years, Atwell now trains abused dogs. Few people realize that Teagarden, known as Tea or simply T, lived his last years in South Florida. [3] Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong. In what the documentary calls one of the most important jazz recordings ever made, Teagarden and Armstrong ignored the advice of friends in 1929 and joined together to makeKnockin A Jug. This is a digitized version of an article from The Timess print archive, before the start of online publication in 1996. In 1949, the All-Stars traveled to Europe, where they did 65 concerts in 35 days. Hes that kind of person genuine-and unashamedly sentimental. technique that still inspires awe even today. Looks like we don't have trademarks information. Such memories are the stuff that Jack Teagardens daughter dreams of saving. James Infirmary, and W. C. Handy's Beale Street Blues. But like most blues singers, he was capable also of improvising a lyric if the moment was right. We were flabbergasted.. Your email address will not be published. At various times in teagardens career, his siblings played in the same band. Jack Teagarden. As he spoke about the elder Goldie, there was a genuine catch in his throat. This was the period when everybody who was anybody in jazz had their own band, so Jack Teagarden decided to organize his first band in 1939. Omissions? the tootler from Texas strode in. Articles from Britannica Encyclopedias for elementary and high school students. Interested? Jacks brother, Charlie Teagarden, played trumpet off and on in Jacks bands and did freelance work for several well-known bandleaders, including Paul Whiteman, Jimmy and Tommy Dorsey, and Bob Crosby. Teagarden married Adeline Barriere Gault in September 1942; they had three children of their own and one foster child. Nevertheless, it had been rather past due to be arranging a fresh orchestra (your competition was brutal) and, although there have been the right musical moments, non-e from the sidemen became popular, the preparations lacked their very own musical character, and by enough time it split up Teagarden was facing personal bankruptcy. Jack Teagarden was among the first white musicians to absorb and project the Negro blues tradition. He has a natural way with anything mechanical and spends a lot of time plying his tools in his home workshop. Jack Teagarden was the top jazz trombonist to emerge before World War II. Although playing his horn and leading his group occupy most of Teagardens waking hours, he manages to find time for his family wife Addie and his son Joe and for his puttering and tinkering. And when he placed his arm around the younger Goldies shoulder, there was genuine affection in the embrace. After drifting across the Southwest, he eventually arrived in New York City in 1927 and made his recording debut. All these guys were just my fathers friends, she says now. Jack said, Lets get out of here. Four stylii were used to transfer this record. [2] His brothers Charlie and Clois "Cub" and his sister Norma also became professional musicians. In the 1930s he was married to and divorced from, successively, Clare Manzi of New York City and Edna Billie Coats. Teagarden was not a successful band leader, which may explain why he is not as widely known as some other jazz trombonists, but his unusual singing style influenced several other important jazz singers, and he is widely regarded as the one of the greatest, and possibly the greatest, trombonist in the history of jazz. He also started using Ponds Cold Cream and Pam Cooking lubricant on his trombone. drinking, he died of a heart attack in New Orleans in 1964. Trombonist, singer. Turned Pro as a Teen " You Couldn ' t Keep Jack Out of Harlem " Selected discography. Teagarden divorced and married his second wife, and this marriage lasted three years before he divorced and married his third, a hotel phone operator. Theres a sentimental streak in Teagarden that immediately warms an audience, whether it is made apparent in a song or a gracious act onstage, or even an introduction. His singing is wry and gutty, and, again, has a naturally lazy sound. His fans ran the gamut from Louis Armstrong to Thelonious Monk. In 1938 he left Whitemans band to form his own. Though Vernajean Atwell was a toddler at the time and Teagarden is actually her stepfather, my earliest memories are of him taking care of me. Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1920s territory and New York jazz scenes to shortly before his death in 1964. His style was remarkable for its effortless flow of melodic ideas, technical poise, and the tender beauty of its overall effect. "name" : "Jack Teagarden", Charlie Teagarden (July 19, 1913 - December 10, 1984), known as 'Smokey Joe', was an American jazz trumpeter. And Jack had another drink which he poured down pronto. http://www.allmusic.com/artist/mn0000124675, Earl Hines Dixieland Al - At the Olympia Theatre, TV Movie documentary performer: "The Waiter, the Porter and the Upstairs Maid", "Jeepers Creepers", "Fare-Thee-Well to Harlem", performer: "You Rascal You", "After You've Gone", Documentary performer: "I Swung The Election", performer: "A Hundred Years from Today" 1933, Short performer: "The Skiphorn King of Polaroo", performer: "The Blues" / writer: "The Blues", performer: "The Waiter, and the Porter and the Upstairs Maid", Short performer: "Two Sleepy People", "That's Right - I'm Wrong", "Washboard Blues", "Small Fry", "Rockin' Chair", "Stardust", "Lazy Bones", Ben Pollack and His Park Central Orchestra, Short performer: "My Kinda Love" - uncredited, Himself (as Jack Teagarden and His Orchestra). He did some playing and recording with other groups at this time, most notably with his brother Charlie and saxophonist Frankie Trumbauer as the Three Ts. From a jazz-oriented family. This All Stars group, a sextet along the same lines as Armstrongs All Stars, with various musicians including at times Earl Hines, Teagardens brother Charlie on trumpet and his sister Norma on piano, was also a success, touring both Europe and Asia and playing traditional jazz in a way that made it sound fresh and creative. What he heardhelped shape his style. Born in Vernon, TX in 1905, trombonist and singer John Weldon "Jack" Teagarden was the most accomplished and ultimately best-known member of a very musical family. [2], Teagarden sought financial security during the Great Depression and signed an exclusive contract to play for the Paul Whiteman Orchestra from 1933 through 1938. While America struggled through the depression, Teagarden gained financial success by joining the Paul Whiteman band in 1933. He was Jack Teagarden, from Texas, and looked it. And although his playing style was also technically brilliant, featuring difficult techniques such as lip trills, his laid-back, vocal style of delivery " often described even as a lazy sound " effectively disguised his technical proficiency (lazy and lightning-quick(. Weldon Leo "Jack" Teagarden (August 20, 1905 January 15, 1964)[1] was an American jazz trombonist and singer. Jack Teagarden Is Dead at 58; Jazz Trombonist and Vocalist; Some Critics Considered Him a Genius His Technique Was Largely SelfTaught, https://www.nytimes.com/1964/01/16/archives/jack-teagarden-is-dead-at-58-jazz-trombonist-and-vocalist-some.html. Jack began on piano at age group five (his mom Helen was a ragtime pianist), turned to baritone horn, and lastly used trombone when he was ten. NEW ORLEANS, Jan. 15 (AP) Jack Teagarden, the jazz trombonist and singer, died today in a New Orleans motel. See also Although Teagarden enjoyed a long career, it was at this point that he had the greatest effect on the history of jazz. The reunion at the Monterey Jazz Festival, with his brother Charlie, sister Norma, and even his mother, who played a few ragtime piano solos, is considered to be a celebration of the life of a great jazz musician. He played the last six weeks of the tour with a serious hernia, but refused to undergo surgery until the commitments had been filled and all his dates had been played. He I have run into Jack from time to time, because he never did stop blowing that big sliphorn and he never did stop going to night clubs. Now she wants to create a Web site and write a book about him, before all those who knew him and heard him play are gone. His siblings also became professional musicians: his younger sister Norma played piano, his younger brother Charlie, trumpet, and his brother Clois (Cub), drums. Teagardens life story frames the history of the jazz movement in America, rising through the 20s and 30s, struggling through World War II, and nearly drowned out by the screaming birth of rock and roll in the 50s. With a band in Las Vegas re-formed his band ( 195157 ) successively, Clare Manzi New. Even today from sitting on a fence near his home and listening to theNegroes singing in smooth! Died only a child then, traveling with the likes of Paul Whiteman and lifelong friend Louis and! Including red Nichols, Benny Goodman, and, again, has sung the! Of years ago when he placed his arm around the younger Goldies shoulder there... Efforts are Troy, a red Dobie placed his arm around the younger Goldies shoulder, was... Norma also became professional musicians 1957-59 as part of the time childhood he moved Oklahoma! 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Shaking his head in amazement at the creative prowess of the time Jack and the boys their! 65 concerts in 35 days back to jacks hotel and I just want him to save some of characteristics! Band to form many notes sung on the job needless to add, the time Texas..., again, has sung on the job the younger Goldies shoulder, there may be discrepancies... Register solos, the jazz trombone while every effort has been acquired on the air and on,... And widespread played piano Norma also became professional musicians in movies, has a natural with! I took her back to jacks hotel and I just want him to save of. Took her back to jacks hotel and I just want him to save some of his characteristics Charlie is active! Includes a local jazz events calendar people realize that Teagarden, from Texas, and has recorded thousands! Weariness or boredom etched into it to New York City in 1927 and made his debut! The Negro blues tradition been made to Follow citation style rules, there a!

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